Effective Sensor Size
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
De Blackmagic URSA Broadcast G2 is een veelzijdige camera die geschikt is voor traditionele én online omroepen. Met een “3-in-1”-ontwerp kan de camera worden gebruikt als een HD of 4K productiecamera, 4K studiocamera of een 6K digitale filmcamera. De camera is compatibel met bestaande lenzen en batterijen en kan opnemen op verschillende mediadragers, zoals SD-kaarten, CFast 2.0-kaarten of externe USB-schijven. De camera ondersteunt standaard bestandsformaten zoals H.265, ProRes en Blackmagic RAW, wat hem breed inzetbaar maakt in verschillende werkprocessen.
De URSA Broadcast G2 biedt uitzonderlijke prestaties bij weinig licht dankzij een geavanceerde sensor met een dynamisch bereik van 13 stops, en is uitgerust met verwisselbare lensvattingen, wat zorgt voor flexibiliteit bij het gebruik van verschillende lenzen. De ingebouwde optische ND-filters zijn ontworpen om lichtniveaus te beheersen en kleuren te behouden, wat vooral handig is voor broadcast-omstandigheden.
Deze camera beschikt ook over een krachtig ingebouwd audiosysteem en kan via de SDI-verbinding volledig worden bediend op afstand, wat ideaal is voor live producties. Bovendien ondersteunt hij zowel HD- als Ultra HD-formaten en biedt hij mogelijkheden voor slow-motion opnames.
Met een robuust, maar lichtgewicht ontwerp, een intuïtief bedieningssysteem en uitgebreide connectiviteitsopties, zoals 12G-SDI en USB-C, is de URSA Broadcast G2 een toekomstbestendige camera.
Dit is inbegrepen:
Vaste voeding
1x 256Gb CFast 2.0 geheugenkaart
2x 256Gb Kingston SD UHS-II geheugenkaart
CFast 2.0 card reader
VCT Shouldermount
Top Handle
B4-mount (standaard)
EF-mount
Blackmagic URSA viewfinder
1x 150Wh V-mount accu
2x 90Wh V-mount accu
2-kanaals V-mount lader
Smallrig zijplaat
Cameratas
NIET INBEGREPEN: B4 lens of EF-lenzen. Huurder moet bij huren opgeven of hij een B4 of EF lens Mount gemonteerd wil hebben voor afhalen
2/3 inch sensor size when using 4K B4 mount
(Actual sensor size 23.10mm x 12.99mm)
B4 2/3 inch installed
Active EF mount also included
Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
In-camera correction of color fringing when using compatible broadcast lenses.
13 Stops
0dB and 18dB gain.
f11 with 2160p59.94.
f12 with 2160p50.
at 2,000 lux with 89.9% reflectance.
additional 1.1 stop light loss using 4K B4 mount.
64.62dB for 2160p
Ultra HD scaled from 5.3K
Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
4 inch
LCD capacitive touchscreen.
Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 120 fps
scaled from 2.7K windowed sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
3840 x 2160 (Ultra HD) up to 60 fps
from Ultra HD window or scaled from 5.3K windowed sensor
3840 x 2160 (Ultra HD) up to 50 fps
scaled from full sensor
1920 x 1080 (HD) up to 60 fps
scaled from Ultra HD or 5.3K windowed sensor
1920 x 1080 (HD) up to 50 fps
scaled from full sensor
6144 x 3456 (6K) up to 50 fps
6144 x 2560 (6K 2.4:1) up to 60 fps
5376 x 3024 (5.3K 16:9) up to 60 fps
3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
3840 x 2160 (Ultra HD) up to 60 fps
1920 x 1080 (HD) up to 150 fps
23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
1
1
1
1.5G, 3G, 6G, 12G.
2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Tri-Sync/Black Burst/Timecode.
1 x 12-pin Hirose Broadcast Lens Connector
1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.
Integrated stereo microphone.
1 x mono speaker.
Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
48 kHz and 24 bit
2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.
Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5
Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
DaVinci YRGB.
SDI Channels 15/16 and iPhone headset.
Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
2 x CFast 2.0
2 x SD UHS‑II cards
1 x high speed USB‑C expansion port for external media.
2.5 inch SSD using optional URSA Mini Recorder
Storage rates based on 30 frames per second.
6144 x 2560 (6K 2.4:1)
Blackmagic RAW 3:1 – 240 MB/s
Blackmagic RAW 5:1 – 144 MB/s
Blackmagic RAW 8:1 – 90 MB/s
Blackmagic RAW 12:1 – 60 MB/s
Blackmagic RAW Q0 – 180 to 359 MB/s
Blackmagic RAW Q1 – 120 to 287 MB/s
Blackmagic RAW Q3 – 80 to 205 MB/s
Blackmagic RAW Q5 – 49 to 120 MB/s
5376 x 3024 (5.3K 16:9)
Blackmagic RAW 3:1 – 248 MB/s
Blackmagic RAW 5:1 – 149 MB/s
Blackmagic RAW 8:1 – 94 MB/s
Blackmagic RAW 12:1 – 63 MB/s
Blackmagic RAW Q0 – 186 to 371 MB/s
Blackmagic RAW Q1 – 125 to 297 MB/s
Blackmagic RAW Q3 – 84 to 213 MB/s
Blackmagic RAW Q5 – 51 to 125 MB/s
3728 x 3104 (3.7K 6:5 anamorphic)
Blackmagic RAW 3:1 – 177 MB/s
Blackmagic RAW 5:1 – 106 MB/s
Blackmagic RAW 8:1 – 67 MB/s
Blackmagic RAW 12:1 – 45 MB/s
Blackmagic RAW Q0 – 133 to 265 MB/s
Blackmagic RAW Q1 – 89 to 212 MB/s
Blackmagic RAW Q3 – 60 to 152 MB/s
Blackmagic RAW Q5 – 36 to 89 MB/s
1920 x 1080
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
H.264 SDI – 7.0 MB/s
H.264 High – 5.6 MB/s
H.264 Medium – 3.2 MB/s
H.264 Low – 1.8 MB/s
Blackmagic RAW 3:1 – 19 MB/s
Blackmagic RAW 5:1 – 12 MB/s
Blackmagic RAW 8:1 – 7.8 MB/s
Blackmagic RAW 12:1 – 5.2 MB/s
Blackmagic RAW Q0 – 23 to 47 MB/s
Blackmagic RAW Q1 – 16 to 37 MB/s
Blackmagic RAW Q3 – 10 to 27 MB/s
Blackmagic RAW Q5 – 6 to 16 MB/s
Constant Quality storage rates quoted are indicative only.
Actual storage rates are entirely dependent on image subject matter.
Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Blackmagic RAW Speed Test
Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later.
Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project.
Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project.
Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project.
Proxies Only or Originals and Proxies.
1 x External 12V DC 100W power supply with 100 – 240V AC 50/60Hz IEC C14 input.
1 x 4-pin XLR port for external mains power supply or battery use.
1 x 12-pin Molex connector under rear battery plate.
+12V 4-pin XLR regulated output on side of camera
+12V D-Tap regulated output on VLock battery plate
Rear camera mount compatible with industry standard V-mount